The 1980s. For many, it conjures images of neon, big hair, and synth-pop anthems. For music titans like Michael Jackson, Prince, and Madonna, it was a golden era. But for Bob Dylan? Well, it's a decade that often gets a bit of a shrug from even his most ardent fans. His conversion to Evangelical Christianity at the close of the '70s, and the subsequent religious albums, left many scratching their heads. While he returned to secular music in '83, the reception to his releases was, shall we say, varied. Rolling Stone called 1985's 'Empire Burlesque' a welcome return to form, but then described 'Knocked Out Loaded' a year later as a "conceptual mess."
Yet, to dismiss Dylan's '80s output entirely would be a disservice. Beneath the sometimes-confusing artistic detours and the era's distinct sonic palette, there are some truly brilliant songs waiting to be rediscovered. We've sifted through his seven studio albums and two live releases from the decade to find 20 tracks that deserve a closer listen.
A Different Kind of '80s Vibe
Take "Tight Connection to My Heart (Has Anybody Seen My Love)" from 'Empire Burlesque.' Even with that unmistakable '80s sheen, the presence of Mick Taylor on guitar and Sly and Robbie on the rhythm section is a surefire sign you're in for something special. Taylor himself spoke of his admiration for Dylan, calling his songs "brilliant."
Then there's "Had a Dream About You, Baby" from the sprawling 'Down in the Groove.' Recorded over several years, the album might not be the smoothest, but this track is a fun, rocking highlight, bolstered by a fantastic guitar part from none other than Eric Clapton.
Faith, Doubt, and Secular Salvation
Dylan's '80s journey also included a significant spiritual chapter. 'Saved,' released in 1980, was the second in his trilogy of Christian albums. While born and raised Jewish, Dylan surprised many with his ability to craft compelling gospel music. "Pressing On" is a prime example, a track so potent it's been covered by artists like John Doe and Alicia Keys.
Interestingly, even within these religiously themed albums, Dylan's lyrics often possessed a remarkable duality. "What Can I Do for You?" from 'Saved,' while clearly referencing personal salvation, can also be interpreted in a more universal, secular sense – about self-acceptance and compassion.
Collaborations and Comebacks
"Brownsville Girl," co-written with playwright Sam Shepard for 'Knocked Out Loaded,' is a testament to Dylan's unique creative process. Shepard described their collaboration as following an evolving story, with characters popping into existence as they worked, often outdoors in Malibu.
And who could forget the raw energy of "I Want You," live with the Grateful Dead, from the 1989 album 'Dylan & the Dead'? At a point where Dylan felt creatively adrift, he wrote in his autobiography, "Everything was smashed. My own songs had become strangers to me." Touring with the Grateful Dead in '87 seemed to inject a much-needed jolt of life into his older material, breathing new fire into these performances.
More Than Just a 'Mess'
Even albums that received lukewarm reviews hold their own. "You Wanna Ramble," a cover of Little Junior Parker's tune from 'Knocked Out Loaded,' is an upbeat opener, despite the era's signature thin drum sound. And "Dark Eyes," closing out 'Empire Burlesque,' offers a refreshing departure, its sparse arrangement echoing Dylan's earlier folk roots, a welcome contrast to the album's more polished sound.
'Infidels,' released in 1983, is often cited as Dylan's triumphant return to the mainstream. While the reception was strong, digging into its tracks reveals the depth and nuance that defined his '80s output, even when it wasn't always the easiest listen. The '80s might not be Dylan's most celebrated decade, but it's undeniably one filled with fascinating musical explorations and songs that, with a little digging, reveal their enduring brilliance.
